The Recording Academy behind selecting nominees for the Grammy Awards changed its rules allowing for more people to be eligible to win its top award — album of the year.
The change comes amid a slew of changes to how the Recording Academy selects potential winners. This specific change gives more producers and songwriters a better chance at winning the top award, reducing the minimum requirements to be considered an eligible collaborator on an album.
The academy announced Wednesday that any producer, songwriter, engineer or featured artist on an album nominated for album of the year will also earn a nomination — even if the music creator co-wrote one song on the 10-track project. Before the change, songwriters or producers would need to be credited with at least 33% or more playing time on the album to be eligible for nomination — a rule implemented in 2017.
The new change reflects how the Grammys handled album of the year before 2017, when producers, engineers or featured artists would earn a nomination for album of the year even if they worked on one song. Songwriters were not included at that time, and were added when the 2017 change was introduced.
Now that all songwriters on an album could earn a nomination, the academy can expect a larger number of nominees for each of the eight albums competing for album of the year. For instance, if Justin Bieber’s “Justice” is nominated at the 2022 show, more than 50 creators will be nominated for the project. If Ariana Grande’s “Positions” earns a nod, more than 35 people would be nominated for the album. J. Cole’s “The Off-Season” or Bad Bunny’s “El Último Tour Del Mundo” would give more than 20 participants an album of the year nomination.
In this Oct. 10, 2017, file photo, various Grammy Awards are displayed at the Grammy Museum Experience at Prudential Center in Newark, N.J. The academy announced Wednesday that any producer, songwriter, engineer or featured artist on an album nominated for album of the year will also earn a nomination — even if the music creator co-wrote one song on the 10-track project. (AP Photo/Julio Cortez, File)
That’s in contrast to albums like Billie Eilish’s “Happier Than Ever,” which features songs written by the young star and her brother Finneas, who also produces all of her tracks. Olivia Rodrigo’s “Sour,” which is expected to debut at No. 1 next week — also features a tight group of collaborators that wouldn’t fall into the double digits like Bieber or Grande’s album. That distinction of using fewer collaborators could benefit Eilish and Rodrigo at the Grammys, and it begs the question: Would voters rather award 50 players for album of the year, or eight?
The change greatly affects rap, R&B and some pop albums — where songwriters and producers typically vary throughout the project, as opposed to country and rock albums, where fewer creators are present. While the change gives rap and R&B producers and songwriters a stronger chance at earning a Grammy nomination, a chance at actually winning the top award seems less possible.
The change is especially great since contemporary songs feature a large number of songwriters. The Top 10 songs on this week’s Billboard Hot 100 chart feature Bieber’s “Peaches,” a hit written by 10 songwriters; nine writers are credited for Doja Cat and SZA’s “Kiss Me More”; and The Weeknd and Grande’s “Save Your Tears” was crafted by six writers. Other songs in the Top 10 feature less writers — Rodrigo and Daniel Nigro wrote “Good 4 U,” currently No. 1 on the chart, and J. Cole is the sole writer behind “amari,” at No. 5.
The announcement comes a month after the academy voted to remove its nomination review committees — anonymous groups that determined the contenders for key awards at the Grammys.
For the 2022 Grammys, songs and album released between Sept. 1, 2020 and Sept. 30, 2021 are eligible for nomination.
The Associated Press contributed to this report.